Robert Fripp and Toyah Willcox share the top-of-the-kitchen interpretation of the Stranglers’ “Peaches”


King Crimson founder Robert Fripp and his wife, singer Toyah Willcox, shared a cover of The Stranglers’ “Peaches” – watch it below.

  • READ MORE: Toyah Willcox and Robert Fripp’s 10 Best Lockdown Covers – Ranked!

The couple launched their Sunday Lunch video series last year, sharing renditions of songs from Nirvana, David Bowie, Metallica, Billy Idol, The Rolling Stones, Shirley Bassey, Judas Priest, The Prodigy, Guns N ‘Roses, Alice. Cooper and more via Willcox’s. Youtube channel.

Last week, the couple performed a version of Right Said Fred’s “I’m Too Sexy”, with Fripp delivering the performance from their kitchen table as Willcox watched him.

This week’s kitchen cover sees the couple take on the Stranglers’ “Peaches”, from the band’s debut album “Rattus Norvegicus”, in 1977, with Fripp performing again from their dining table. Willcox can be seen stirring a mixing bowl as she sings.

“Well the roles have turned again and Robert is back on the table… and everything is just Peachy!” Willcox captioned the new video.

You can watch their latest cover below:

Willcox revealed in February that her Sunday Lockdown Lunch video series started because her husband, Robert Fripp of King Crimson, stopped performing.

Last month Willcox released her 16th studio album “Posh Pop”, which she premiered with the single “Levitate” with Simon Darlow and Bobby Willcox.

Discuss the album in a recent interview with NME, Willcox explained how this happened. “When COVID shut it down last year, it allowed me to focus on writing and recording the next album,” she said. “We recorded in Simon’s outdoor studio with just him, my husband and me.

“’Posh Pop’ has been a magical experience created out of the need and the ability to connect with our fans in a sincere way. Also the terrifying distance between those who run the world and those in the field inspired my writing.

She added, “Working with Fripp in the studio, we just handed him the chord boxes the day before and said, ‘We want you to come and improvise and that’s what we’ll use.’ It was spontaneous. . “

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